The T List: Five Things We Recommend This Week


Welcome to the T List, a publication from the editors of T Magazine. Each week, we’re sharing issues we’re consuming, sporting, listening to or coveting now. Sign up right here to seek out us in your inbox each Wednesday. You can at all times attain us at tlist@nytimes.com.


When Walter Price was rising up in Macon, Ga., he would generally wake earlier than dawn to affix his mom on the porch and watch the day start. It was a behavior that the self-described early hen strengthened in the course of the 4 years he spent within the Navy, earlier than attending artwork college on the G.I. Bill and later shifting to New York. Today, the 31-year-old’s ultra-disciplined art-making ritual entails rising earlier than 5 a.m. to stretch, train and draw. Price’s first present opens this week at Greene Naftali and features paintings and drawings of images that, like your first thought of the day, hover between dream and waking observation. In his modestly sized acrylic paintings, abstracted landscapes and domestic scenes are overlaid with sketchy graphite lines, floating shapes, pasted-in photographs and inscrutable phrases. In one work from 2019, “It has to rain before you can see where all the leaks are at,” lightly sketched human figures pass between cars, holding umbrellas aloft; the sky is a bruised chartreuse, rain clouds daubed on in a thick, gluey gray. In another canvas from 2018, a crimson sun in a fuchsia sky burns down on a red convertible and field of bright blue palm trees. It all stems from the artist’s obsession with color and line. As he said in 2018, “I tend to try to take all the basic fundamental elements of art and create a very funky painting.” “Pearl Lines” is on view at Greene Naftali from Sept. 11 through Oct. 31, 2020, at 508 West 26th Street. Reservations are recommended, greenenaftaligallery.com.





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