In a Book About Trauma, She Hopes to Show What Survival Looks Like

“It’s really interesting to be part of a vast diaspora but also never feel like anyone’s writing about Bangla queer femininity, in a very specific way,” Tanaïs, who makes use of one identify, stated.

The two writers have since grow to be pals. After studying an early model of “Like a Bird,” Tanaïs recommended that Róisín revise passages she wrote when she was youthful that felt like a totally different voice — suggestions that helped her see the discrepancy extra clearly and gave her confidence to repair it. “It kind of liberated her to trust herself,” Tanaïs stated.

Zeba Blay, one other pal of Róisín’s who noticed a draft, was impressed by her dedication to the work. “She’s someone who kind of goes off into the mountains and then comes back down with a masterpiece,” she stated.

When she began writing the e-book, Róisín stated there was a lot she didn’t know. She devoured works by authors like Audre Lorde, Susan Sontag and June Jordan, who explored therapeutic of their writing. But not solely was the language of the early drafts extra easy, however there have been issues she didn’t perceive she may even write about, like her sexuality.

“Looking back at old pages, I’m just like, wow, even my conception of storytelling is so skewed,” she stated. There was initially a male love curiosity, for instance, earlier than Róisín modified Taylia’s arc to one during which she finds success by means of neighborhood, not romance, one thing that felt extra true to the queer communities the place Róisín herself has discovered help.

“It was a part of me that was being erased because I saw it as no other choice,” she stated. “Like, how could I be so audacious to write about my queerness or about a character that maybe isn’t as digestible?” Rewriting these parts, and having the ability to give names to forces like xenophobia, white supremacy and racism, helped carry the e-book into its ultimate type.

“I think the greatest gift of this book is breaking through silences that have long plagued our communities,” Tanaïs stated. “Having a young person voice their pain and trauma and move through it is a gift for young people and people who have healed from trauma and survivors of trauma, like myself, who need that.”

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