‘The Good Lord Bird’ Review: The Necessity of John Brown


“The Good Lord Bird” has not obtained what you might name kid-glove remedy from Showtime. It was introduced for Feb. 16 however pulled, then rescheduled for Aug. 9 and pulled once more. It will lastly premiere, with out a lot fanfare, this Sunday. It’s curious remedy for a status mini-series based mostly on a National Book Award-winning novel that was spearheaded by and stars one of America’s most completed actors.

And it’s a disgrace, as a result of “The Good Lord Bird” — a seven-episode adaptation of James McBride’s 2013 novel — is okay leisure, capturing some measure of McBride’s jaunty, irreverent humor and that includes an absorbing efficiency by Ethan Hawke, who created the collection (with the author Mark Richard) and performs the central position of the messianic abolitionist John Brown.

We can solely speculate concerning the causes for the delays (the present was actually prepared earlier than the coronavirus hit). Maybe there was some nervousness concerning the story’s generally irreverent strategy in its depictions of slavery and of the attitudes and actions of Black individuals, in pre-Civil War America. Perhaps, because the tumultuous occasions of 2020 performed out, there was additionally some nervousness about presenting such a narrative in a collection developed by two white males from a Black author’s novel.

If there have been any such issues, we will see now that they had been misplaced. Working with a directing and writing crew that included established Black artists like Albert Hughes, Darnell Martin, Kevin Hooks and Erika L. Johnson (and with McBride as an government producer), Hawke and Richard have if something been too respectful of the e-book’s themes and plot. “The Good Lord Bird” has some boring patches in its later episodes, which in all probability may have been prevented if somebody had been extra ruthless and ingenious in remaking the story for the display screen.

McBride’s novel is nominally an account of the final years of Brown, the zealous crusader whose ill-fated assault on a federal armory at Harpers Ferry, Va., in 1859 is the comi-tragic climax of the collection. But it’s advised by way of the eyes of a younger slave — named Henry, mistakenly renamed Henrietta however principally often known as Onion — who’s unintentionally freed after which informally adopted by Brown.

Brown, as depicted in “The Good Lord Bird,” has nice sympathy for the human race however isn’t all that attentive to its particular person members, and it’s symptomatic that after mishearing Henry’s identify, he’s unshakably satisfied that the brilliant younger boy is a lady and instructs him to put on a costume. The confusion is a sensible inconvenience but additionally a lifesaver, as being a lady helps Henry (performed by the newcomer Joshua Caleb Johnson) survive one probably lethal state of affairs after one other.

The story is structured round Henry’s picaresque, Huck Finn-like journey, which begins in his bleak Kansas dwelling and encompasses a full of life sojourn with Frederick Douglass (Daveed Diggs) in upstate New York, an encounter with Harriet Tubman (Zainab Jah) on a visit to recruit fighters in Canada, and the crushing however traditionally pivotal debacle at Harpers Ferry, which helped carry concerning the Civil War.

(In addition to being a coming-of-age journey and a sensible, tart examination of racial oppression and responsible consciences on all sides, “The Good Lord Bird” is a good-looking costume drama that engages with the actual historical past of Brown’s marketing campaign and the occasions on the armory, which occupy most of the ultimate three episodes. But whereas many precise individuals and incidents are included, the present takes nice liberties in the way it presents them, in ways in which would possibly make strict historians uneasy.)

Henry’s progress generally takes him away from Brown, and whereas Johnson has a scrappy, interesting presence, the present goes a bit of flat every time Hawke isn’t onscreen. Brown is a determine whose intentions, significance and sanity are nonetheless up for debate. Hawke, accelerating with out discover into passionate sermons or welling into sentimental tears, cuts by way of the contradictions by emphasizing a theatricality that doesn’t undermine Brown’s sincerity however is inextricable from it. Brown’s deep non secular and humanist convictions, working on his unquiet thoughts, power themselves out in an irresistible fervor, and Hawke places it throughout with ardour and with out winking condescension.

Diggs can be commanding, and hilarious, making the abolitionist and 19th-century media star Douglass — in Henry’s eyes the villain of the piece for his realpolitik refusal to completely again Brown — each mesmerizingly eloquent and comically vainglorious. “The Good Lord Bird” is studded with sharp, small performances, together with Wyatt Russell (of “Lodge 49”) because the chivalrous J.E.B. Stuart, Orlando Jones as an ill-fated railroad porter and Brooks Ashmanskas as a descendant of George Washington taken hostage by Brown’s raiders.

Crystal Lee Brown (“Black Lightning”) is especially affecting in a couple of scenes as Sibonia, a slave whose kind of passing is to faux to be mentally disturbed. Her quick arc ends, within the second episode (directed by Hooks), in a single of the present’s strongest scenes, a quiet spasm of violence set to Nina Simone’s cowl of “I Shall Be Released” in which the horrors of the American situation are reflected in the varied expressions of the onlookers.

If “The Good Lord Bird” is not as explicit in its affirmations or condemnations as some viewers would like, that’s a point in its favor. It’s equally the story of Henry Shackleford and of John Brown, of Black suffering and forbearance and of white guilt and redemption; as Henry says of Brown to a white character, “He ain’t going to save us, he’s trying to save you.” The series, with verve and intelligence, gets as much of that in as it can.



Source link Nytimes.com

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