‘School for Wives’ Review: The Enchantment Is Visual


Sometimes you get a ward and isolate her for years, grooming her to be your naïve bride towards her will, and ultimately, all it’s important to present for it are canceled nuptials and an entire lot of complications. Don’t you simply hate when that occurs?

Cuckoldry is the theme of Molière’s “The School for Wives,” the livestreamed French farce du jour, whose charms are all within the design as an alternative of the efficiency. The play is offered by Molière within the Park and the French Institute Alliance Française, and in partnership with the Prospect Park Alliance, LeFrak Center at Lakeside and Theatre for a New Audience.

The Tony-award winner Tonya Pinkins leads an all-female solid as Arnolphe, a management freak who resolves to keep away from all of the boring, troublesome components of a mature, grownup relationship — belief, mental engagement, independence, company — by marrying 17-year-old Agnès (Mirirai Sithole), whom he has raised to stay ignorant for that very objective. But when Agnès is courted by a dashing younger suitor named Horace (Kaliswa Brewster) and reveals she’s not as dumb and obedient as Arnolphe would really like, he schemes to thwart the romance between the 2 lovebirds and regain possession of his supposed spouse.



Source link Nytimes.com

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